Product Description
The ancient astronomical tradition is one of impressive duration and richness–from planet observations by the Babylonians in the second millennium BC to the astronomical revolution of the sixteenth century. Richly illustrated, this book brings the reader into direct contact with ancient astronomy. Throughout the book two questions constantly recur: what evidence permits us to reconstruct the astronomy of the ancient past? How was astronomy actually practiced?Ama… More >>
The History and Practice of Ancient Astronomy
Tags: ama, Ancient, ancient astronomy, astronomical revolution, astronomical tradition, Astronomy, babylonians, direct contact, History, millennium bc, planet observations, Practice, richness, sixteenth century
#1 by Yehuda on April 17, 2010 - 9:57 pm
Not only is the layout and presentation of this book beautiful, the writing is lucid and engaging. I have already learned a tremendous amount from this book and I have only read the first 30 pages.
Rating: 5 / 5
#2 by Mystery Writer on April 17, 2010 - 11:09 pm
The History and Practice of Ancient Astronomy by James Evans is a wonderful, comprehensive study.It is beautifully illustrated with original drawings of early astronomical instruments and charts. I got a copy out of the library because I needed to learn about armillary spheres and astrolabes and and couldn’t find much useful information anywhere else. I found it so interesting that I bought my own copy.
Rating: 5 / 5
#3 by Jan Bruyndonckx on April 18, 2010 - 12:14 am
Upon receipt of this book, I just read it from cover to cover. It’s easily one of the most interesting and illuminating astronomy books that I own.
James Evans explains very clearly how ancient astronomers obtained such a vast amount of data with very simple instruments.
Rating: 5 / 5
#4 by MzF on April 18, 2010 - 2:29 am
I love this book, but some publisher blemishes diminish it from a perfect five to a mere four.
For a long time I’ve been looking for a book to explain how astronomical observations and calculations were made by the “ancients”. I recently discovered this book and it seems to have everything I was looking for. Indeed, after only reading 2 or 3 pages I’ve learned a great deal; for example, what star risings and settings mean and how they were used determine the calendar. In thumbing through later pages I see promises of explaining all sorts observations and how they were made. For example, how can you accurately determine the position and motion of the sun in a star field when the sun obliterates the view of the stars near it? The historical precedents and chronology presented also help make this book a great pleasure to anticipation.
However there are two deficiencies, in my opinion, that detract from the book. One is in the presentation and one is the fault of the current publisher, Oxford Press.
This book needs a much better index, and, if possible, a glossary of terms. I don’t read a book like this sequentially. I read a part that looks interesting, move ahead, then go back to clarify something, then move forward, then back again; a kind of iterative learning. By the time I finish I will have, literally, read it two, or three, or more times. I’m not very knowledgeable in astronomy and this book introduces many new terms that are very similar sounding, and defines them, casually, in the middle of paragraphs. Thus, it difficult to keep track. I’m sure it would interfere with the flow of the presentation, but clearly highlighted definitions and a more complete index would help.
My real complaint is with Oxford Press. This new hardcover book, that I just purchased (September, 2009), is nothing more that about 250 sheets of 8.5 x 11 paper that was Xeroxed on both sides, combined and glued at the spine and placed between “hard” covers. The illustrations, which were not that great in the original, are really below par here. I don’t mind a Xeroxed copy, which would be useful for personal annotation and comments, but not at this exorbitant textbook price. The original version, which I looked at a library, was properly produced with sewn signatures and pride. My copy is nothing more than a paperback and will crack and break apart long before I finish it. I’ve had this experience before with Oxford. I have a copy of “Astronomy” by Michael Hoskins and it is a wonderful book. But it started to fall apart and then I realized how cheaply it was produced. I realize that there is a new philosophy in the textbook trade; use it and lose it. Publishers want you to buy it, use it once or twice, and then discard it or have it fall apart. Some electronic books seem to come with licenses that expire after the semester is over. What trash. I still refer to my college texts of more than forty years ago.
Rating: 4 / 5
#5 by Viktor Blasjo on April 18, 2010 - 4:38 am
This is an extremely useful book; by far the most user-friendly guide to ancient astronomy available. Both the technical and historical aspects are generally presented with admirable clarity. My only complaint is that the early chapters on pre-Ptolemaic ideas are too cursorily treated. Unlike the thorough discussion of Ptolemy’s system and the outline of Copernicus’ system, this early material is presented in recipe-book form with little emphasis on ideas. Consider for example the theory of the gnomon. Much time is spent discussing gnomon plots (i.e. plots of the shadow cast by a vertical stick in the course of a day) and their practical uses. But our curiosity is suppressed: looking at a sequence of gnomon plots over the course of a year (p. 54) one naturally wonders why the curves are hyperbolas, except the equinoxes where the curve is straight. Not even the latter is explained. This is very unfortunate because it would have paid off greatly to think about these interesting and natural questions at this stage, since the answers lead naturally to several ideas developed subsequently. Let’s see how. Why hyperbolas? Because the sun moves in a circle, thus generating a cone with the tip of the gnomon as vertex; drawing the gnomon plot amounts to cutting this cone with a plane, so one gets a conic section. Why straight at the equinoxes? Because then the daily orbit of the sun contains the tip of the gnomon in its interior; drawing the gnomon plot amounts to cutting this plane with a plane, so one gets a line. These simple insights are very fruitful. They immediately suggest Ptolemy’s equatorial ring (p. 206), for example. And they would have helped us greatly in the construction of the sundial (pp. 133-139), a very complicated construction which Evans pulls out of a hat in pure cookbook form. If we had taken the time to think about the gnomon plot earlier we could now have approached this construction much more naturally as follows. To create a sundial means putting hour marks on our gnomon plot. To do this we should divide the sun’s daily orbit into 24 equal parts and figure out how to find the corresponding points on the plot. This is easiest at the equinoxes, since the orbit and the tip of the gnomon are then coplanar, as we saw. By contrast Evans goes straight for the much more complicated cases of the solstices, and then obtains the marks for the equinoxes as a by-product. This construction would have been natural instead of artificial if one had understood the equinox construction first, just as later the solar theory (being simple but having the essential ideas) is a good introduction to the planetary theory, as Evan emphasises. In fact, if we were willing to settle for an approximate sundial we could have avoided Evans complicated construction altogether by extrapolating the hour curves from equinox line by qualitative reasoning as follows. Since the sun’s position at a given hour throughout the year are all coplanar, the hour curves on the dial will be straight lines. It is also easy to see that the noon hour line will be perpendicular to the equinox line, and that the other hour lines will deviate only slightly from this in a sun-feather pattern. This would give us a sundial that would be perfect around the equinoxes and accurate surely within an hour at the solstices. After this it would be easier to appreciate the full construction at the solstices.
Rating: 5 / 5